翻訳と辞書
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・ Life support (aviation)
・ Life support (disambiguation)
・ Life Support (film)
・ Life Support (TV series)
・ Life support system
・ Life Sux
・ Life table
・ Life Teachings
・ Life Technologies
・ Life Technologies (India)
・ Life Technologies (Thermo Fisher Scientific)
・ Life Teen
・ Life tenure
・ Life Theater
・ Life Therapies
Life thru a Lens
・ Life Time (M*A*S*H episode)
・ Life Time (Rollins Band album)
・ Life Time (Tony Williams album)
・ Life Time Fitness
・ Life Time Tri Series
・ Life Today with James Robison
・ Life Together
・ Life Toward Twilight
・ Life Transmission
・ Life Turned Her That Way
・ Life Turns Electric
・ Life TV
・ Life TV Media
・ Life Under Mike


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Life thru a Lens : ウィキペディア英語版
Life thru a Lens

''Life thru a Lens'' is the debut studio album by English singer-songwriter Robbie Williams. It was Williams' first solo album following his departure from Take That. Released in 1997, it is influenced by Britpop, a departure from the poppier tone of music Take That employed.
==Recording and music==
After trying hard to find his own sound during a period of personal upheaval, recordings for the album began at London's Maison Rouge studios in March of that year, shortly after his introduction to Guy Chambers. The title track, "Life thru a Lens" was written about Tara Palmer-Tomkinson, "Ego a Go Go" was written about Gary Barlow, "South of the Border" discusses Kate Moss, and "Baby Girl Window" was inspired by Samantha Beckinsale and her late father actor Richard Beckinsale. "One of God's Better People" and "Angels" were inspired by Williams' mother Jan. "Hello, Sir" is a poem that takes a dig at one of Williams' former teachers.〔 Williams reprised part of the poem on the 1 Giant Leap song "My Culture".
The sound of the album is influenced by Britpop and alternative rock, especially bands such as Oasis,〔(【引用サイトリンク】title=Life Thru a Lens )〕 a direction his former Take That band mate Mark Owen had also chosen to pursue on his debut album ''Green Man'' (1996). John Bush of Allmusic said that ''Life thru a Lens'' "continually betrays overt influences from Oasis and other Britpop stars, but triumphs nevertheless due to gorgeous production, Williams' irresistible personality, and the overall flavor of outrageous, utterly enjoyable pop music."〔

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
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